Leading Words: All along, the London Fashion Week has always been reminiscent of unconstrained avant-garde avant-garde and futuristic feelings. However, at the London Fashion Week today, the designers have all converged. Gareth Pugh was a tough man in the 80's. JW Anderson was from the 1960s. Simone Rocha was even more cow. From romanticism and Gothic to Victorian, even HouseofHolland had to look back on the 20th and 70s. It was really embarrassing for me.

The Gareth Pugh Fall/Winter 2016 series that just left the show floor, this time actually gave up the kind of style that was extremely exaggerated in the eyes of ordinary people, and turned to a more retro and practical design. This kind of transferability is really surprising. After all, he had a hard-to-find ticket to excel at experimental pioneer designs.

2016时装周女装流行趋势:复古风格调(图1)

2016时装周女装流行趋势:复古风格调(图2)

The strong shoulder bag set of the 1980s changed from a modern one to a retro one. Perhaps this change shows its determination to begin to be safe and practical. However, it seems that this series is not particularly worthy except for masks. One of the highlights. So it is wise to abandon the direction in which you are good at, and I am afraid I must rely on time to speak.

Well well well, a one-liner comment, it looks like it is the feeling of Lady Gaga wearing clothing.

Relatively speaking, JWAnderson's autumn/winter 2016 series is still full of experimental ones, but it is generally more peaceful and friendly. The elements of the early fall series of clouds were extended by Jonathan Anderson to the 2016 autumn/winter collection. They were transformed into an extremely romantic skirt cascade. The roses and clover images were attached to a new three-dimensional dress.

2016时装周女装流行趋势:复古风格调(图3)

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